Cherish The Day, From the minds of Ava DuVernay and the O Network, was an incredible project to work on. This specific stream titled “Black Love” explores and celebrates black culture, relationships, and struggles.

As someone who is a lover of everything music and neon, this was so fun to work on. For the stream “String Theory” I did a deep dive into all the worlds within the Trolls universe, and visualized their essence for these neon pieces.

For the 200th episode celebration, my colleague and I took only a week or so to execute this video. With all the design by me, and animation by Gianni Arone. From the cut screens, to the small elements and direction, this one off was a labor of love that I’m super proud of.

For Pet Semetary, I had to wear a lot of hats. Some design, some animation, a lot of art directing, strategy, and client communications.

The pieces that are shown here were not animated by me, but designed, directed, and approved by me. I loved every step of this process, and think the overall aesthetic was a beautiful outcome.

Working on a Stephen King show was… very my vibe. This campaign was a combination of both composites that utilized heavy asset based photoshopping, and type treatments to create a sense of unease.

In this adaptation of Disney’s Nutcracker, the story was based in fantasy. It took a darker, and more curious turn, than the ballet we’ve all grown so familiar with seeing on tv during the holidays. I wanted to really embrace that turn, and create a more mystical and modern presentation for the film to shine.

I didn’t touch a whole lot of this project, but what I did get to play around with was pretty fun. I mean, who’s childhood dream wouldn’t be fulfilled working on anything Pokemon related?

From Clio and Shorty awards to Forbes articles, my team’s work on this campaign got recognition that was truly humbling.

I worked on Secret Life of Pets for both films, and the home entertainment campaigns. From designing, strategizing, and managing animation (and some light animation myself) this campaign was not only so much fun, but truly one I won’t forget.

Find the Forbes article here

Capturing the spirit of jellicle cats, one graphic at a time. Working on this iconic Andrew Lloyd Webber adaptation was something 8 year old me would have cried about. Colors, lights, and mystery was everything in this campaign, and came out in the work.

Although this work was pitched content (Animated by one of my beloved colleagues Gianni Arone) it was a blast to work on. With only a week to create, I storyboarded, ideated, designed and then art directed and approved the final animation. I think both of these pieces are proof of what can happen with a strong team on a short timeline.

These are all just personal explorations, but were super fun to delve into. I’ve always loved tactile mediums, and am so interested in how something as classic as painting can be transferred into the digital age.

This Amazon Original was so near to my heart, because…. dogs. Even though this was an incredible amount of hair masking and redrawing, being able to work with a show about dog training, where the design was meant to emphasize the joy dogs bring to our lives was such a gift.

In this series I wanted to encapsulate something I know all too well, the dark side of Connecticut private schools. “Thorughbreds” is a prep school based thriller, featuring Anya Taylor Joy as a young murderer in the making, and this series delves deep into the dichotomy of high society and psychological terror.

Although we didn’t win this campaign, we did make some cool content to pitch. These certainly aren’t the most polished work I’ve done, but with only a day or so to throw together some quick creative ideas, I think it’s a win when you have a couple pieces you like in a quick turnaround.

Most of the logos I work on are for fake brands in compositions, but sometimes I get to do them for companies and friends, and they are always a fun challenge. Encapsulating an identity in one small mark is something that takes such time and care, and can be so rewarding when well received.

Whenever a film has a large fandom, there’s so much to play with. Alien: Covenant had such a cool fan base, giving the team and myself so many streams to work off of, while keeping true to the original style.

Don’t mind this dorky photo of me. My face didn’t know what to do.

Anyway! I worked a bunch on this brand, front AR filters, to giveaways, instagram polls, and more. With bright bold colors and fun products, there was a lot of composition and manipulation that went into these, and the results were always exciting.

For one of the leading toothbrush subscription services, I wanted to keep things fun. We worked hard to emphasize the importance of diligent oral care, while keeping it on trend to spark the interest of influencers and younger social users.

For this client, I managed the social media, art directed, and executed both static and motion graphics.

My overall goal in Mary Queen of Scotts was elegance, femininity, and power. I worked at portraying the strength of a country under a woman with bold colors, strong serifs, and soft accents.

Let’s face it; I’m spooky. I know it, you know it, we all know it.

In this campaign, I got to create an immersive experience where the user can pan and zoom into a 360 scare experience within the set of the film “Wish Upon.” Although it definitely came with its challenges, it was worth every minute of watching my friends scream at their iPhones.

On top of that, I ideated and executed a stream showing how wishes can backfire, and how taking words literally can be incredibly dangerous.

Nothing like a little bit of color and a little bit of sarcasm. Loudermilk was a TV series where we really wanted to show both positivity, and the somber undertone of the protagonist battling addiction. Each graphic was designed to portray both of those attributes, and how they can go hand-in-hand in modern living.